Kategorie: Mitarbeiter & Stipendiaten

readme.txt: „Tabu, Trauma und Identität: Subjektkonstruktionen von PalästinenserInnen in Deutschland und in der Schweiz, 1960-2015“

Lesen, Schreiben und Publizieren sind die Essenz von „Geisteswissenschaften als Beruf“. In der Rubrik readme.txt stellen wir die Publikationen der Wissenschaftlerinnen und Wissenschaftler der Max Weber Stiftung vor. Vier kurze Fragen und Antworten machen…

Dr. Susann Baller : Le Conseil exécutif à Saint-Louis (1959) : Inventions et négociations bureaucratiques de la Communauté française

Dans le cadre du séminaire de recherche “Les jeudis de l’IHA-CREPOS“, nous avons le plaisir d’accueillir : Dr. Susann Baller (IHA Paris, Directrice MIASA Accra): Le Conseil exécutif à Saint-Louis (1959) : Inventions et…

The Sociality of Theory

By Francesco Anselmetti. A Flood in Baʿath Country, the 2003 documentary by Syrian filmmaker Omar Amiralay, opens with a stark confession on the director’s behalf. His career had begun in the early 1970s with a panegyric to the Baʿathist project of modernisation glorifying the construction of the Tabqa Dam on the Euphrates, near the northern Syrian city of Raqqa.

National American Woman Suffrage Association Records

Editorial note: Marietheres Pirngruber is studying Global History (M.A.) at the University of Heidelberg. Her primary focus is on women’s and gender history, and she is especially interested in studying the transatlantic suffrage networks of the 19th and 20th centuries. She is currently completing her remote internship at the GHI. On the occasion of women’s history month, she  shares some of her interesting research on US suffrage history on href. Finding primary sources is essential for any historian, yet during the ongoing pandemic it … Continue reading National American Woman Suffrage Association Records

Prof. Chikouna Cissé: Faux laissez passer, fausses patentes: les ruses Jula avec le dispositif de contrôle français (XIXe – XXe siècles)

Dans le cadre du séminaire de recherche “Les jeudis de l’IHA-CREPOS“, nous avons le plaisir d’accueillir : Prof. Chikhouna Cissé (Université Houphouët Boigny, Cocody Abidjan) : Faux laissez passer, fausses patentes: les ruses Jula…

Between Tradition and Innovation: The Young Generation of Iranian Composers in the Digital Era

5 March 2021 | Author and producer of podcast: Dr. des. Kamyar Nematollahy Iranian classical music is heir to an ancient tradition that was historically connected to the court and other institutions of power. This music was once based on the Maghām system, but as a result of formal changes and transmutations, is currently based on Dastgāh and thus is largely called Dastgāhi music.

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