Kategorie: Kunstgeschichte

Islam and Heritage in Europe: Pasts, Presents and Future Possibilities

By Katarzyna Puzon. This year marks the twentieth anniversary of 9/11 – an event that triggered a significant and sustained rise in prejudice, discrimination, and hate crimes against Muslims. These trends have accelerated steadily since then. The tragic developments that followed, especially the invasions of Afghanistan in 2001 and of Iraq in 2003, still reverberate across Europe, not least in the recent ‘refugee crises’.

Outside Looking in: On Teaching Art History from the ‘Margins’

By Hala Auji (Art History, American University of Beirut, Lebanon). What does it mean to teach art history, a discipline still rooted in eighteenth-century European Enlightenment ideals, in present-day Lebanon? As an art historian of the Middle East living and working in Beirut, teaching courses on the region has proven to be more challenging than one might imagine.

On the connectivity of fabrics: ‘Gaia mother tree’ by Ernesto Neto

In 2018, the Brazilian artist Ernesto Neto created, through a collective process, a monumental textile installation in the main station of Zurich called Gaia mother tree that was organised by the Fondation Beyeler. The textile object looks like a twenty-meter high plant, that reaches up to the ceiling of the station building and fills the entrance hall with bright and warm colours. Its translucent structure is made of mainly yellow, orange, red and light green hand-knotted cotton strips. On closer inspection, the meticulous knotting of the fabric becomes visible.

A posthumous publication: Frank Martin’s “Camillo Rusconi: ein Bildhauer des Spätbarock in Rom” (2019)

When recently I took Frank Martin’s posthumously published book off the shelf at the Warburg Institute I was pursuing issues relating to eighteenth-century Italian sculpture, in particular the making and use of models. But the book attracted me also on a personal level. Frank Martin died unexpectedly at the age of 53 in 2014. I knew him well from periods when we had worked at the same institutions, in 1993 at the Kunsthistorisches Institut in Florence, where he was a postdoctoral fellow, and again in 1996 at the Warburg Institute, where he held a three-month Frances Yates Fellowship.

Displacement in Stills: German-Jewish Photographers on the Move

In this two-part piece about Jewish refugee photographers, the authors „travel to another historical context to inquire about what migrants and refugees ‚knew‘ and how they choose to communicate their knowledge in their photographic work.“

The post Displacement in Stills: German-Jewish Photographers on the Move first appeared in Migrant Knowledge.

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