Kategorie: Kunstgeschichte

Modi and Metamorphoses (I)

An aged man, wearing a hat and sporting an impressive moustache looks, somehow sceptical and at the same time absorbed, towards the beholder. The dark dominating tone of the painting is supported by the background and is challenged through the white-yellowish and in some cases green-redish flesh as well as the white thick brushstrokes in the area of the neck. These broad, parallel lines suggest the texture of a fabric and create a dazzling counterpoint to the dark coat.

Consider the Pigeon

It is now both a convention and also a joke to make the title of pieces about animals “Consider the __” where the blank is the name of the animal. This is because of a now famous essay that David Foster Wallace wrote called “Consider the Lobster”. So now: Consider the Pigeon…

‘Blick Richtung Europa? 15 Perspektiven’

A review of the workshop ‚Blick Richtung Europa? 15 Perspektiven‘ (8-9 July 2020, Berlin) by Anita Hosseini and Judith Rottenburg.

Stets richten und richteten sich Blicke aus Europa in alle Himmelsrichtungen und generierten Ideen und Bilder des ‚Anderen‘. Die dabei selbstverständlich in Anspruch genommene Position des beobachtenden und damit auch deutenden Subjekts kann mit politischen, wissenschaftlichen und kulturellen Machtansprüchen und Expansionsbestreben Hand in Hand gehen. Was passiert jedoch, wenn die Blickrichtung gewendet, wenn die Aufmerksamkeit auf die Tatsache gelenkt wird, dass diese Blicke immer schon gespiegelt wurden?

Aby Warburg: Bilderatlas Mnemosyne

Exhibition. In the 1920s, Aby Warburg created his so-called Bilderatlas Mnemosyne, tracing recurring visual themes and patterns across time, from antiquity to the Renaissance and beyond. His approach provides inspiration for today’s visually and digitally dominated world. For the first time ever, all 63 panels of the Atlas have been recovered from Warburg’s original images and will be available to view in a special display at the Haus der Kulturen der Welt (HKW) in Berlin.

Meraklı Bir Sultanın Portresi: II. Abdülhamid’in Tablo Koleksiyonu

7 AĞUSTOS 2020 | Yazar: Merve KöksalII. Abdülhamid’in halife olması sebebiyle portresini yaptırmadığı, fotoğraflarının çekilmesine izin vermediği ve bu konuda katı tedbirler aldığı yaygın bilgilerdir. Nitekim onun portresini on iki yıllık hizmetinin ardından yapabilen saray ressamı Fausto Zonaro da bu durumu teyit eder.

A modern antiquity

Plaster casts are image vehicles par excellence. They can reproduce and multiply three-dimensional form, and serve the dissemination of visual ideas from one place to another; they can record lost stages of a work’s appearance, e.g. pre-completion, pre-damage, pre-destruction or pre-restauration. Often perceived as perfect one to one copies of the external form of a three-dimensional work, they can also accidentally or deliberately differ…

Suche in OpenEdition Search

Sie werden weitergeleitet zur OpenEdition Search