Kategorie: Kunstgeschichte

Der „Wald von Paris“: Die Rekonstruktion des Dachstuhls von Notre Dame

Fällt ein Baum im Wald… Das bekannte Gleichnis fragt nach der Beziehung von Ereignis und Wahrnehmung respektive nach der Bedeutung von Zeugenschaft und berührt somit letztlich ein geschichtstheoretisches Problem. In den Wäldern Frankreichs fallen derzeit Bäume zu tausenden. Darüber, ob ihr Sturz ein Geräusch verursacht, braucht nicht spekuliert werden: Zeugen sind genügend vorhanden. Die Bäume, allesamt Eichen, werden gefällt für die Instandsetzung von Notre Dame, den hölzernen Dachstuhl um genau zu sein.

A German-Ottoman Scramble for Objects in ar-Raqqa. Antiquities Trade, Archaeological Looting and Museum Rivalry in the Late Ottoman Empire

23 APRIL 2021 | Author: Sebastian Willert “Since I arrived at Halep [Aleppo] I have been seeing valuable antiquities in many houses. Telegrams I receive from Raqqa indicate that antiquity smuggling is pervasive.” In his telegram of 24 October 1910, Hüseyin Kâzım Kadrî (1870–1934) reported on the treatment of antique objects and ancient remains in the region which constituted Halep Vilâyeti (Vilâyet Aleppo).

Jesuit legacy in Beijing: Sacred Buildings and Transcultural Spaces

By Lianming Wang. Following the “global turn” in the 1990s, and particularly stimulated by Gauvin Alexander Bailey’s path-breaking Art on the Jesuit Missions in Asia and Latin America, 1542–1773, the study of Jesuit art and architecture has grown into a remarkably dynamic field that provides marvellous insights for reading art history through a cross-cultural and transregional lens.

The National Frame: Art and State Violence in Turkey and Germany

By Banu Karaca. The National Frame emerged out of my long-term interest in art, aesthetics and politics. I have always been fascinated by the dominant notion that art is inherently good, by the many values that are accorded to art – be it that art furthers individual agency and critical faculties, the emancipatory potential of art, or its civilizing impact – and the realities that shape the daily workings of the art world.

New Publication: “Burckhardt.Renaissance”

Aus Anlass von Burckhardts 200. Geburtstag haben sich im Jahr 2018 Historiker, Kunst- und Kulturwissenschaftler in Basel versammelt, um ausgehend von seinem bis heute Maßstäbe setzenden Essay »Die Cultur der Renaissance in Italien« (1860) nach der Aktualität seines Werks zu fragen. Entstanden ist ein Reader, der gleichermaßen kritisch wie würdigend zum Weiterlesen einer der wirkmächtigsten akademischen Hinterlassenschaften ermuntert.

Meyer Schapiro: Thinking between Art and the 20th century

Last month, a workshop that I organized on the American art historian and New York intellectual Meyer Schapiro (1904-1996) finally came to fruition. Hosted by the Centre for American Art at the Courtauld Institute here in London, the workshop was conceived as an afternoon of engagement with texts by Schapiro and was punctuated by three presentations: the first by myself, the second by Jérémie Koering of the University of Fribourg, and the third by Hagi Kenaan of University of Tel Aviv.

Le château de Saint-Cloud (2) : les jardins

Si seules les descriptions et les photographies permettent aujourd’hui d’imaginer les fastes du château de Saint-Cloud, le promeneur peut encore profiter de ses jardins. Agrémentés de pièces d’eau et de fontaines, ils subsistent dans un…

The Ideological Origins of American Insurrection

In the preface to the 50th anniversary edition of his Pulitzer prize winning study, The Ideological Origins of the American Revolution, the Harvard historian Bernard Bailyn reflects back on his book’s original argument of 1967, one based on an unprecedented attention to the language and rhetoric of the manifold political pamphlets that circulated in the American colonies between 1760 and 1776. Towards the end of his retrospection, Bailyn underlines …

Suche in OpenEdition Search

Sie werden weitergeleitet zur OpenEdition Search