One’s own Present, and the 18th Century Present
Impressions of the Workshop “Landscapes of the Long 18th Century: Mediating Places, Powers and Pasts in South Asia and Beyond,” which was organized by Dipti Khera and Hannah Baader on…
Impressions of the Workshop “Landscapes of the Long 18th Century: Mediating Places, Powers and Pasts in South Asia and Beyond,” which was organized by Dipti Khera and Hannah Baader on…
[This article is part of the Open Peer Review-Publication series “Nineteenth-Century Anti-Semitism in International Perspective”] von Hildegard Frübis <1> Auf der Internationalen Kunstausstellung in München 1879 präsentierte der Berliner Maler Max Liebermann sein Gemälde »Der zwölfjährige Jesus im Tempel« und sah sich daraufhin vehementen antisemitischen Angriffen ausgesetzt (siehe Abb.). Schon während der Eröffnung der Ausstellung am 20. Juli nahm Prinz…
by Kim Knott, Volkhard Krech and Birgit Meyer ABSTRACT In order to understand current dynamics of religious diversity, a focus on the tangible presence of religion and the co-existence of new and…
Benoît Junod, Georges Khalil, Stefan Weber, Gerhard Wolf (ed.), Islamic Art and the Museum. Approaches to Art and Archaeology of the Muslim World in the Twenty-First Century, Saqi Books: London,…
– drei Fragen an Andreas Beyer, Sprecher des Forschungsverbunds “Bilderfahrzeuge”, zu der Konferenz Aby Warburg...
The “Tree of Modern Art” as Prime Object or Replication? Miguel Covarrubias Between Art History and Anthropology Starting from the “Tree of Modern Art” by Miguel Covarrubias published in 1933…
Catherine David (Musée National d’Art Moderne/CCI, Centre Pompidou, Paris), Clémentine Deliss (Independent Curator/Wissenschaftskolleg zu Berlin), Patrick Flores (University of the Philippines and the Vargas Museum, Manila), Anselm Franke (Haus der…
Merel van Tilburg (The Courtauld Institute of Art, London) held this lecture “From ‘Aesthetic Colonialism’ to a Syncretic Aesthetic: Negotiating Universalism, Francité and Negritude in Senegalese and French Modernist Tapestries”…
Multiple Modernities: World Images and Dreamworlds in Art and Culture, 1946-1972 The aim of the project is to pursue an art historical new-reading of the cultural epoch following the demarcation…
by Hannah Baader and Gerhard Wolf (both: Art Histories and Aesthetic Practices and Kunsthistorisches Institut in Florenz, Max-Planck-Institut) This text is an excerpt from the essay “Aesthetics of the Threshold….
by Saima Akhtar (Irmgard Coninx Prize Fellow of the Forum Transregionale Studien 2015/16) Annual Conference of the Forum Transregionale Studien and the Max Weber Stiftung – Deutsche Geisteswissenschaftliche Institute im…
With this welcome and introduction speech, Hannah Baader (Art Histories and Aesthetic Practices/Kunsthistorisches Institut Florenz/Max-Planck-Institut) and Atreyee Gupta (Art Histories and Aesthetic Practices Fellow 2015/2016) opened the Annual Conference on…
Ahmed Adam is Assistant Professor in the Department of Archaeology at the University of Khartoum and currently a fellow of the research program Art Histories and Aesthetic Practices. He is also…
von Helene Bongers (Art Histories and Aesthetic Practices) Unter dem Titel „Global Modernisms: Infrastructures, Contiguities and Aesthetic Practices“ präsentierte sich die Jahrestagung 2015 des Forum Transregionale Studien und der Max…
Banu Karaca currently is a fellow of the research program Art Histories and Aesthetic Practices. She holds a PhD from The Graduate Center of The City University of New York…
The Program Art Histories and Aesthetic Practices of the Forum Transregionale Studien starts a new online format: „Conversations in transregional Art Histories“. It aims to open art historical studies to a global horizon,…
The history of art is often seen through European lenses. How can we switch these lenses without falling into new traps? How can we overcome the traditional (European) master –…