By Natasha Klimenko. On April 13th, 2022, I spoke to Sasha Kurmaz, an artist from Kyiv who now lives in Ivano-Frankivsk, a city in western Ukraine. When we started the interview, he told me to keep one thing in mind: “If the air raid siren goes off, I’ll have to close everything and go”.
By Anna L. Ahlers. After participating in the re:constitution seminar in Ljubljana, Slovenia in November 2021 and, also crucially, while working with colleagues in China, I cannot help but feel extremely lucky and privileged to be able to work under the academic circumstances that I do. They appear to be so much easier to deal with than the ones I learned about in my interactions with academics from China, Hungary, Slovenia, Turkey, and other countries.
Interview with El Meya by Katarzyna Falęcka. The artist Maya Benchikh El Fegoun (El Meya) was born in 1988 in Constantine, Algeria. Her paintings, often populated by women, respond to different visual legacies that include Orientalist images and the iconography of the Algerian War of Independence. El Meya is interested in the interiority of women, their dreams, desires, sins, life forms, and sociability.
L’artiste Maya Benchikh El Fegoun (El Meya) est née en 1988 à Constantine, en Algérie. Ses peintures sont souvent peuplées de femmes, car elle réagit à différents héritages visuels, notamment les images orientalistes ou l’iconographie de la guerre d’indépendance algérienne.
Interview with Vasyl Cherepanyn by Inga Lāce. I sat with Ukrainian curator Vasyl Cherepanyn on the afternoon of Thursday, February 18 for a conversation via Zoom. The situation in Ukraine was already tense because the Russian army had strengthened its forces on the Ukrainian border and there was constant, alarming media focus on the threat of invasion.
By Katarina Ristić. Only a few days before the attack on Ukraine, Russian president Vladimir Putin responded to those scandalized by the prospect of a war in Europe, reminding Europeans that such a war had already taken place. In 1999, he said, it was the North Atlantic Treaty Organization (NATO) – not Russia – that had started a “large-scale military operation that included air strikes against a European capital, Belgrade”.
By Diana Roig-Sanz. The idea that the digital humanities enjoy a global scope remains utopian. Most of the departments and research institutions that house postgraduate studies, summer schools, international conferences, and scientific journals on the matter remain anchored in the Global North, especially in certain countries such as the United Kingdom, the United States and Canada.
“Resisting Multiple Pressures – Perspectives on Academic Freedom in Europe” – Side Note on the re:constitution Seminar
By László Detre. re:constitution is a joint programme of the Forum Transregionale Studien and Democracy Reporting International, funded by the Stiftung Mercator. Re:constitution awards fellowships, inspires and organizes topical seminars, and offers fact-based analysis on and around the rule of law and democracy in the European Union.
“The Problem is Not in the Illusions, but in the Aims of the Apparatus of Power” – Interview with Gintautas Mažeikis
Interview with Gintautas Mažeikis by Miglė Bareikytė. I remember when professor Gintautas Mažeikis, during the first week of the semester at Vytautas Magnus University in Kaunas, told his students, including me, that we should read Horkheimer and Adorno’s “Dialectic of Enlightenment”. We were young, the book was poorly translated, perplexity set in.
By Alena Strohmaier. “Politics in the Middle East is now seen”, proclaimed political scientist and director of the Middle East and North Africa programme at Chatham House Lina Khatib in 2012, designating a new era of political activism in the Middle East and North Africa (MENA).
By Regina Elsner. Russian Orthodoxy is often suspected to be pre or anti-modern because of its difficulties engaging with a plural and secular society – for example, when relating to democracy, human rights, or gender diversity. After the end of the Soviet Union, the Russian Orthodox Church associated increasingly with the agenda of the political elites in Russia and other successor states of the Soviet Union.
By Diana Ayeh. When I first came to Houndé (Province of Tuy) in November 2016, the town of 150,000 inhabitants in southwestern Burkina Faso already had a certain gold-rush atmosphere. Not only was the landscape in and around Houndé marked with indications for future extraction (e.g. flags and fences symbolizing corporate “possessions”).
Just three weeks following my release after 16 years in prison in Syria, I started translating a book into Arabic. The book was “Powers and Prospects: Reflections on Human Nature and the Social Order,” by Noam Chomsky. It had taken me some time to realize that the leading linguist and the harsh critic of American imperialism was the same person.
By Hala Auji and Nurçin İleri. Capitalism’s far-reaching social, industrial, and cultural implications on the socio-political aspects of production, labor, and class struggle are well-documented. Scholarship on labor has emphasized the social and economic aspects of the capitalist economy and the history of working classes in a global context.
By Ulf Engel. In October 2021, I published the Yearbook on the African Union (YBAU). This yearbook is the first of its kind. The YBAU is first and foremost an academic project that provides an in-depth evaluation and analysis of the institution, its processes, and its engagements.
I’ll start by stating that not all comics at the core of my scholarship were created in the digital age. Yet, artists working today are very active in the blogosphere. The online dissemination of comics – and, in particular, those that critique authoritarian regimes or bear witness to shared and/or individual experiences of political trauma – keeps pace with the general dissemination of information on the internet.
Global South Scholars in the Western Academy: Harnessing Unique Experiences, Knowledges, and Positionality in the Third Space
This book was conceptualized at an international conference on refugee studies in Germany in 2018, where the editors, Staci Martin and Deepra Dandekar, first met. At the time, Staci wanted to explore a pedagogic practice of teaching that co-creates spaces of critical thinking and hope in the classroom, resulting in social action or change. Deepra was focused on questions of migration, gender, and belonging outside the bureaucratic-administrative purview of citizenship.